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Restauratrice d'art, N. Delsaux invite à découvrir l'art et le sens des icônes, l'activité des artistes, moines ou laïcs, qui travaillèrent pendant dix siècles au Proche-Orient, en Egypte, dans les Balkans et en Russie pour produire ces oeuvres destinées à l'enseignement théologique par l'image.
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Icônes russes --- Atlas --- Icons, Russian --- Icon painting --- Icons, Russian
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An anthology of thinking on virtuality from the perspective of a variety of philosophical and applied fields of study, the Oxford Handbook of Virtuality comprises 44 chapters covering topics such as presence, immersion, emotion, ethics, virtual utopias and dystopias, image, sound, literature, AI, law, economics, education, medical and military applications, religion, and sex. A variety of views on virtuality is offered from each discipline represented, and the relationships between virtuality and reality and actuality are extensively debated.
Virtual reality --- Communication --- Avatars (Virtual reality) --- Avatars (Computer graphics) --- Avs (Virtual reality) --- Buddy icons --- Icons, Buddy --- Icons (Computer graphics) --- Communication and culture --- Social aspects. --- Music --- Avatars
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An exposition of Orthodox systematic theology, Gazing on God is written from the point of view of the experience of the faithful, drawing on traditional icons and liturgy. By tracing the depth of some key Christian concepts -- salvation, Logos, the Trinity -- Andreas Andreopoulos provides a framework for the theology of experience. In the following chapters seven select icons are analyzed, in order to demonstrate the theological ideas and themes that may be revealed by studying Christianity through iconography. The analysis touches on topics such as time (the eternity of God, 'flat' liturgical time), space, the Church as the Body of Christ, and the Trinity. Gazing on God offers to all Christian traditions a demonstration that, while our understanding of the development of Christian views and attitudes is guided by the history of theological ideas, Christianity includes from the beginning a strong dimension of meta-linguistic knowledge, which is expressed in its liturgy, as well as in its symbolism.
God (Christianity) --- Theology, Doctrinal --- Spirituality --- Icons --- Christianity --- Orthodox Eastern Church.
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Céphalophores --- Christian saints in art --- Christianity and art --- Art, Byzantine --- Icons, Byzantine
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Collected works of various designers.
Pictogramme --- Symbole graphique --- Logotype --- Logos (Symbols) --- Signs and symbols --- Icons (Computer graphics)
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"This book examines the phenomena of portraits and icons, and spans from late antiquity through the end of the Byzantine period. Engaging a wide range of material, it addresses persistent themes in the creation of a distinctly Christianized portraiture while analyzing the cultural and theological perceptions that guided its reception. Christian Rome inherited from antiquity its traditions and beliefs regarding portraits. Though altered for its new Christian context, these perceptions did not disappear. This study proves that within Christian portraiture, the icon is not reserved for saints alone"--Back cover.
Art, Byzantine --- Portraits, Byzantine --- Christianity and art --- Art byzantin --- Portraits byzantins --- Christianisme et art --- Art [Byzantine ] --- Byzantijnse iconen --- Byzantine icons --- Iconen [Byzantijnse ] --- Icons [Byzantine ] --- Icônes byzantines --- Kunst [Byzantijnse ] --- Christian martyrs. --- Ikone. --- Bildnis. --- Icons, Byzantine --- Christian martyrs --- Christian saints --- Byzantine Empire --- Church history --- Art, Byzantine. --- Christian saints. --- Icons, Byzantine. --- Byzantine Empire. --- Byzantinisches Reich. --- Church history. --- Christian martyrs - Byzantine Empire --- Christian saints - Byzantine Empire --- Byzantine Empire - Church history --- Icônes
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This paper proposes an integrated account of the formal and functional non-uniformity exhibited by sound-symbolic words based on a hierarchy of lexical iconicity (i.e., iconicity of words). It is argued that the more iconic a vocalized sign is, the less strongly it is constrained by the linguistic system. This crosslinguistic generalization is instantiated by the lexical availability, morphophonology, syntax, semantics, and acquisition of sound-symbolic words.
Iconicity (Linguistics) --- Semiotics. --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics
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Bodies, graves and icons : the cult of saints in literary and iconographic tradition of Rus' Ksiazka stanowi probe ukazania kultu swietych w tradycji prawoslawnej przez pryzmat funkcjonowania w niej ikon i relikwii Skonstruowana jest wokol kategorii cielesnosci i roznych sposobow jej rozumienia ascezy swietych odrzucenia przez nich zmyslowosci i czci dla cial zmarlych Autorka opisuje ikonografie swietych jako rozpieta pomiedzy wydarzeniami z ich narodzin i smierci a takze odnoszaca sie do posmiertnych dziejow relikwii swietych ukazujac w ten sposob problemy zwiazane z relacjami pomiedzy kultem ikon a relikwii 64 il kolorowe.
Russie --- Saints --- Icônes --- Relics --- Christian saints --- Christian saints --- Icons --- Christian saints in literature --- Christian saints in art --- Russia
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Le mathématicien et théologien P. Florenski (1882-1937) met en cause les fondements de la perspective et avec eux la conception classique de l'histoire de l'art qui place la Renaissance au dessus de toutes les autres périodes. Il étudie les icônes, l'art égyptien, l'art grec, l'art médiéval et même l'art des enfants, caractérisés par l'absence de point focal.
Perspective --- Icons, Russian --- Icon painting --- Perspective --- Icônes russes --- Peinture d'icônes --- Technique --- Technique --- Florenskiĭ, P. A.
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